Warm · CC-C07
Golden Calacatta
Pairs withA richer gold-vein look
Warm white with glossy gold-taupe veins that branch. It is a warm, gold-heavy marble look with plenty of movement, and it commits the whole kitchen to warm tones.
Get your price with this stoneWhat this looks like in a kitchen
Warm white with glossy gold-taupe veins that branch. It is a warm, gold-heavy marble look with plenty of movement, and it commits the whole kitchen to warm tones. The undertone is warm, so it sits with cream, wood and brass and can fight a bright-white or chrome scheme. Kitchen lighting and the cabinets around it change how the colour and any veining read. It can look softer, warmer or cooler than the slab photo, and a large run shows more than a single sample does. Quartz is made in batches, so tone and veining shift slightly from slab to slab. It is worth judging from a full sample in your own light rather than from a screen.
When to choose it
Best for a richer gold-vein look. Pick it when your cabinets, floor or hardware already lean warm; a cool white or grey next to warm wood tends to fight it. It works most comfortably with the cabinet and backsplash tones in the Pairs with line above. See a full sample against your cabinet door in daylight before you decide.
We confirm the exact slab with you before anything is cut.
Compare similar looks
Warm Calacatta
Cream with soft taupe-gold veins, warmer than a true white. It leans into a wood-and-brass kitchen and fights a bright white or chrome one; the supplier photo runs warm, so confirm the undertone on a sample.
Calacatta Gold
Warm white with clear gold, taupe and beige veins. It is the warm, gold-veined marble look, and it commits the room, so build around brass and wood rather than chrome and cool grey.
Satin Grey
Light-to-mid grey with a fine fleck, almost plain. It is a quiet, cool grey backdrop; the finish, satin or polished, is not confirmed from the photo, and a honed grey shows oily marks more, so check a sample.
Silver Grey
Pale greige-grey with a soft, cloudy mottle. It has clouds rather than veins, a plain and quiet grey surface; the only image is a warm-cast close-up, so confirm the tone against a full slab.